Renderings
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Art marker rendering fro Val (Vladimir US) “Waiting for Waiting for Godot” 
Art marker rendering for Laura, the ASM in “Waiting for Waiting for Godot” 
Art marker rendering for Ester (Estragon US). 
Mrs. Wahtsit digital sketch using Corel Painter for “A Wrinkle in Time”; Lyric Arts 2018 
Meg digital sketch using Corel Painter for “A Wrinkle in Time”; Lyric Arts 2018 
Lynette “Squeaky” Fromme “Assassins”, Univ. of Montana, 2019. Color added digitally. 
The Balladeer “Assassins” Univ. of Montana, 2019. Color added digitally. 
Wolfgang for “The Nightingale” at Stages Theatre Co., 2018. Art marker. 
Back view of the Nightingale for “The Nightingale” at Stages Theatre Co., 2018. Art marker. 
The Mechanical Nightingale for “The Nightingale” at Stages Theatre Co., 2018. Art marker. 
Digital rendering. “The American Clock” University of Minnesota/Guthrie Theatre 2017 
Digital rendering. “The American Clock” University of Minnesota/Guthrie Theatre 2017 
Watercolor rendering of Puck for “A Midsummer Night’s Dream” 
Watercolor rendering of Titania “A Midsummer Night’s Dream” 
Emily rendering for “Twas the Night Before Christmas”, hand sketched and color added digitally 
Calliope: hand sketched and color added digitally 
Rendering in marker of the blue-gray variation with sheer sleeve. (c) Mary C. Woll 
Polly’s original sketch and rendering with color applied digitally; “The Threepenny Opera” 
Macheath’s suit was directly inspired by the cut of a suit from a 1914 tailor’s sample book. The somewhat zoot-suit feel fits well with the 1950s vibe of the show.