Mary C Woll
Costume Management and Technology
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Bio
Resume
Shop Management
Costume Technology
Tailoring & Draping
Dyeing & Painting
Crafts & Millinery
Wigs & Make-Up
Costume Design
Renderings
Digital Designs
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Renderings
Click to view full-size images.
Art marker rendering fro Val (Vladimir US) “Waiting for Waiting for Godot”
Art marker rendering for Laura, the ASM in “Waiting for Waiting for Godot”
Art marker rendering for Ester (Estragon US).
Mrs. Wahtsit digital sketch using Corel Painter for “A Wrinkle in Time”; Lyric Arts 2018
Meg digital sketch using Corel Painter for “A Wrinkle in Time”; Lyric Arts 2018
Lynette “Squeaky” Fromme “Assassins”, Univ. of Montana, 2019. Color added digitally.
The Balladeer “Assassins” Univ. of Montana, 2019. Color added digitally.
Wolfgang for “The Nightingale” at Stages Theatre Co., 2018. Art marker.
Back view of the Nightingale for “The Nightingale” at Stages Theatre Co., 2018. Art marker.
The Mechanical Nightingale for “The Nightingale” at Stages Theatre Co., 2018. Art marker.
Digital rendering. “The American Clock” University of Minnesota/Guthrie Theatre 2017
Digital rendering. “The American Clock” University of Minnesota/Guthrie Theatre 2017
Watercolor rendering of Puck for “A Midsummer Night’s Dream”
Watercolor rendering of Titania “A Midsummer Night’s Dream”
Emily rendering for “Twas the Night Before Christmas”, hand sketched and color added digitally
Calliope: hand sketched and color added digitally
Rendering in marker of the blue-gray variation with sheer sleeve. (c) Mary C. Woll
Polly’s original sketch and rendering with color applied digitally; “The Threepenny Opera”
Macheath’s suit was directly inspired by the cut of a suit from a 1914 tailor’s sample book. The somewhat zoot-suit feel fits well with the 1950s vibe of the show.