Mary C Woll
Costume Management and Technology
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Bio
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Shop Management
Costume Technology
Tailoring & Draping
Dyeing & Painting
Crafts & Millinery
Wigs & Make-Up
Costume Design
Renderings
Digital Designs
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Dyeing & Painting
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Skin tone swatch ring created using recipies of ProChem MX dyes. Swatches of cotton jersey, plain cotton, rayon, and cotton/lycra.
“Within Our Skin” UMN 2016. Photo (c) 2016 Steve Tonar
Micro-tests for skin tone matching in fiber reactive dyes.
Adding prison stripes to Zangara’s pants for “Assassins” at UMT. Tulip Color Shot paint.
Zangara “Assassins” at Univ. of Montana, 2019. Photo by Terry Cyr.
Distressing Sam Byck’s Santa suite for “Assassins” at UMT. Design Master, Tulip Color Shot, and acrylic paint.
Sam Byck “Assassins” at Univ. of Montana, 2019. Photo by Terry Cyr.
Breaking in, distressing, and hilight painting of Val’s coat for “Waiting for Waiting for Godot”
Painted sweat and schmutz with watered-down acrylic paint. “Waiting for Waiting for Godot”
“Waiting for Waiting for Godot” Loudmouth Collective, 2016. Photo (c) 2016 Justin D. Gallo Photography
Distressing Val’s shoes for “Waiting for Waiting for Godot”
Painting leather shoes class project using Angelus leather paint
Shoes custom painted for the Balladeer in “Assassins” . Painted with Plaid Leather Studio acrylic paint. Univ. Montana, 2019.
Dye test swatches.
All fabrics (except the gray crop-tops & gray shoulder guards) were custom dyed for “The Peoples’ Circus”. Photo (c) 2015 Alex Clark.
Ombre dye rig for silk tops in “Loop, Loop” 2014 UMN.
Ombre dyed silk tops and synthetic dyed leggings. “Loop, Loop” 2014, UMN